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The importance of this process cannot be underestimated. What the directors selected for inclusion would determine how convincing the film would be to audiences. Myrick and Sánchez edited The Blair Witch Project themselves and had to select only what they deemed audiences would accept as true. Simultaneously they had to create a structured narrative that would appeal to horror movie fans who expect certain conventions from the genre. From the 20 hours of footage, the directors sculpted the story and characterisations to suit their needs.
Com/1999/07/13/witch_ actor/ McEnery, P. com. http://www. com/article/693 Moore, R. ’ Starburst. 255 (1), 52-58. Pincus, A. ’ The Independent. org/node/412 Young, J. indd 32 03/11/2014 15:17 The Blair Witch Project 2. The Aesthetics of Artificial Authenticity The Blair Witch Project might at first glance appear to be a difficult film to talk about in terms of its visual style. After all how much can be said about a film that is so deliberately ugly with amateur camera work that it is said to have made audiences feel sick when watching it in cinemas?
What begins as an earnest effort to create a documentary by Heather and her crew quickly descends into what is closer to fake cinéma vérité. All attempts at objectivity, formal presenting and interview techniques are lost in favour of raw, seemingly uncut footage where Heather provokes her subjects by continually filming them. There are none of the traditional cues that tell an audience that they are watching a Hollywood fiction film; even the marketing claimed the truthfulness of the events depicted.
Abhinavabharati by Abhinavagupta