By George Lawrence Stone

ISBN-10: 1892764067

ISBN-13: 9781892764065

Accents and Rebounds provides accessory exercises and extra complex rhythms to the fundamentals coated in Stick keep watch over, including finesse and regulate to the player's talents. This followup ebook to the vintage Stick regulate, through George Lawrence Stone, comprises sections on accented eighths, accented dotted notes, accented triplets, rebound keep watch over, two-beat roll as opposed to the excitement, accents in innovative rolls utilizing correct and left leads, accents in five-stroke rolls, accents in seven-stroke rolls, and rolling in combined rhythm. while you're partial to Stick keep watch over, Accents and Rebounds offers the right subsequent steps on your perform regimen.

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Extra info for Accents and Rebounds: For the Snare Drummer

Sample text

Durch die dem Instrum. ” “Nachrichten,” AMZ 11 (9 November 1808), 89–91. 59. “. . sein Umfang von F der grossen Oktave bis in deas dreygestrichene C, ja auch bis ins dreygestrichene F—also vier volle Oktaven—sich erstreckt. . Hrn. ” “Nachrichten,” AMZ 11 (12 July 1809), [footnote] 653–654. The editor of the AMZ, Friedrich Rochlitz, added this footnote. Clarinet d’Amour and Alto Clarinet and Their Music 23 by describing the improved basset horn (actually an alto clarinet) played by Müller in Vienna.

47/172) with rings for L1, L2, R1, R2, and a plateau key for L3 was probably made in France and sold by Higham in Manchester during about 1863. It was only in 1881 that Boosey & Co. in London began to purchase alto clarinets for sale in their shop; in 1882, they began to manufacture alto clarinets. The first alto clarinet in the Boosey & Co. workshop book was completed on 13 October 1881. See Carse, The Adam Carse collection, 51, no. 172. White and Myers, “Woodwind instruments of Boosey & Company,” 70.

Clarinet d’Amour and Alto Clarinet and Their Music 23 by describing the improved basset horn (actually an alto clarinet) played by Müller in Vienna. 60 On 22 October, Müller performed again, but this time on an improved clarinet by Johann Baptist Merklein, a prominent Viennese maker. 63 Here he worked on designing his important thirteen-key clarinet, with the assistance of an unnamed maker. After he had completed his clarinet, Müller apparently wanted to build the same mechanism on a new alto clarinet rather than continue to play Grenser’s instruments.

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Accents and Rebounds: For the Snare Drummer by George Lawrence Stone


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