By Kolb T.

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2 See Henri Leclercq, "Liturgies néo-gallicanes," in Dictionnaire d'archéologie chrétienne et de liturgie, ed. Fernand Cabrol and Henri Leclercq, 15 vols. (Paris: Letouzey et Ané, 1930), 9:16361729. 3 Le Sieur de Moléon [Jean Baptiste Le Brun des Marettes], Voyages liturgiques de France (1718; reprint, Westmead, England: Gregg International, 1969). V. Plainchant, IX; Plainchant musical; and Neo-Gallican chant. 5 Chapter VI, "De organista et organis," appears in Norbert Dufourcq, Miscellanea, vol.

13 Each of the collections listed in Figure 2 contains alternatim versets for mass Ordinaries from the Paris Gradual. But although their variety of cantus firmi sets Parisian Rite organ masses apart from those by Louisquatorzian composers, the feasts for which most of them were intendedannuels, solennels, and doubles-majeursare nearly identical to those for which ritual use of the organ had been prescribed and organists contracted during the late seventeenth and early eighteenth centuries. The annuels included Christmas and Easter Day, Epiphany, Ascension, Pentecost, Corpus Christi, Assumption, All Saints, and an Anniversary Feast of Dedication.

F. Boëly, Pièces d'orgue pour le service liturgique, ed. Norbert Dufourcq and Amédée Gastoué, vol. ]). 19 Amédée Gastoué, "Notes complémentaires sur une copie de la 'Messe Solennelle' de Couperin," Revue de musicologie 13 (1929): 11819. 20 Stéphen Morelot, "Du vandalisme musical dans les églises," Revue de la musique religieuse, populaire et classique I (1845): 13234. The title page of Corrette's Troisième Livre d'orgue designates as "le Fleurti" the twopart counterpoint that appears above the cantus firmus in its plainchant versets (see Abbé Jean Prim, "Chant sur le Livre in French Churches in the 18th Century," Journal of the American Musicological Society 14 [1961]: 39).

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Amazing Phrasing by Kolb T.

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