By Jeffrey P. Greene

American furnishings Of The 18th Century bridges the space among the paintings of interval furnishings and the craft of furnishings making. Jeffrey Greenes meticulous learn of kinds, makers and interval tools produces a unprecedented blend of heritage and approach that's bursting with details and perception. eco-friendly first offers a entire survey of layout and development according to the ancient affects and tastes of the interval. He then examines and explains actual joinery, development and furnishings making equipment. all through, he presents drawings, illustrations and pictures. And in a separate, full-color part, he treats readers to a close-up examine 18 vital examples with a dialogue in their layout, building and inventive advantage. American furnishings Of The 18th Century captures the spirit of an age that boasted William and Mary, Queen Anne, Chippendale, Hepplewhite, Sheraton, Neoclassical and different enduring makers and types. It effectively hyperlinks the background, craft and development of those vintage masterworks in a gorgeous quantity of beauty and undying designs. hugely advised examining for antiquarians, creditors of 18th Century furnishings, and scholars of 18th Century Americana.

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Additional info for American Furniture of the 18th Century History, Technique, and Structure

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Moldi ngs, previou sly int egral to fram e-and -panel construct ion, were now add ed to dovet ailed cases, offering a new flexibility in th eir design and placem ent. Drawer Constructio n Back view Drawer side Groove in drawer front hidden by dovetail Drawer back Groove in sides and front to receive drawer bottom Drawer bottom F IGU RE D VENEE R S Figured veneers were th e primary surfa ce decoration of th e per iod . Th e use of veneers superseded th e Jacob ean pen chant for intricate but sha llow surface carving on th e front face of case pieces.

The inclusion of a bookcase top was the beginning of an important form that would continue to develop over the rest of the century. (COURTESY YALE UNIVERSITY ART GALLERY) T H E WI L L I A M & M AR Y I' E R I O 0 21 DRESS ING TAB LE , MASSAC H USET T S, 1710 - 173 5, With bold turned legs and stretchers, dress ingtables shared a similar structure wit h the bases of high chests, This piece, which is acknowledged to be the finest example of the form , has all the best attributes of Wi lliam and Mary dressingtables.

The canted back provided a great improvement in comfort over earlier chairs. (COURTESYMUSEUM OF FINE ARTS. BOSTON) 24 C H A I' T E R TWO (COURTESYCOLDNIAL WILLIAMSBURG FOUNDATION) flat faced wit h beading at either side, a profile th at carries th rou gh th e crest . Boston chairs are imp ortant for two reasons. First , when viewed from th e side, th e back of th e chair has th e shape of a gentle S or cyma curve, makin g th e cha ir actually comfo rta ble to sit in. In literature of th e period, th ese chai rs are ofte n called crooked-back chairs.

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American Furniture of the 18th Century History, Technique, and Structure by Jeffrey P. Greene


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